
FRANCIS
ALBERT SINATRA
©
1997 Walker Joe Jackson
The
First Chorus
One
Sunday morn, a child was born
in
the town called Hoboken.
His
cheek was scarred, and an ear was
jarred
in
their frantic haste to save.
But
the child looked still, and fate
would will
that
Rosa take the babe.
And
douse the chap, under a cold
water tap.
And
thus Francis Albert God gave.
From
this shaky entree, the first on
his way.
The
year was nineteen fifteen.
He
made it three. The way it would
be
in
this home from old Italy.
From
Papa and Mama, Marty and Dolly
he
learned much self esteem.
From
Marty he got's, the Sicilian
hot's.
And
from Dolly he learned to be seen.
Influenced
by Bing. He starts to sing.
A
singing career, would be full of
cheer.
But
Marty said no, it's the wrong way
to go.
So
Frank slipped around, and
improved on his sound.
By
age fifteen, he stood lanky and
lean,
and
dressed with such pizazz.
From
Demarest High, he'd say goodbye,
and
be off to all that jazz.
There
were dues to pay along the way,
so
he joined the Hoboken Four.
Goodness
knows along came Bowes
and
his fabulous Amateur Hour.
The
Hoboken Four triumphed with their
score,
and
off on a tour they were sent.
The
Hoboken Four were soon to bore,
and
back to the Apple Frank went.
On
Fifty-two, he starts to view and
soak up all that sound.
At
the Famous Door, there was Basie
galore.
And
at the Hickory House they jammed.
At
Club Eighteen, he was often seen,
gassing with all those clown.
But
at Tony's place, sat a lady in
lace,
who
sang with such lyrical grace.
From
Mable he took, his phrasing book.
And
from Basie he found the right
sound.
Now
twenty-three, with a master
degree
from
a school atop a bar stool.
He
took on a wife. The first in his
life.
Miss
Nancy made great company.
In
Thirty-nine, all wasnt
fine.
His
career was moving quite slow.
But
along came James of trumpet fame,
not
to table the famous
"Legs" Grable.
On
opening night, it was a sheer
delight
While
Frank gazed from the Paramount
stand.
It
was obvious to all, he was having
a ball,
"whaling"
with the Harry James Band.
The
Harry James stint was short but
well spent.
Already
he'd gained a small following.
But
in Hollywood came, the end of
James
and
back to Nancy he went calling.
Sinatra
and Haines joined the Dorsey
campaigns.
In
the Windy city, one town without
pity.
A
break more or less to continue
his quest.
To
top all the rest, by being the
best.
On
the road again, a bus and some
gin.
And
an occasional blast from a
trumpet.
Around
and around from town to town.
And
often they only just made it.
On
a June night in Forty, the crowd
was quite hoity,
As
Frank sang on the roof of the
Astor.
Only
a few would know, that during the
show.
A
blessed event would take place.
For
in Jersey City, the birth of a
filly.
Little
Nancy with the laughing face.
Alive
on the scene his peers were quite
keen.
So
Frank would work much harder.
To
upstage an Eberle, Crosby or
Miller, (Glenn)
would
require being better - much
smarter.
His
destiny grew while he tamed a few
shrew.
By
now they swooned when he crooned.
What
he needed the most was a record
to boast.
The
in - "I'll Never Smile
Again."
Backed
by the Piper (Pied), with
Stafford the hyper,
the
record zoomed to the top.
And
it wasn't long, 'til our crooner
of song
was
crowned the king of the pop.
On
"Your Hit Parade,"
Frank's songs were played.
"Night
And Day" "The Night We
Called It A Day."
"The
Song Is You" Just to mention
a few.
And
his presence grew and grew.
He
was getting to big for Dorsey to
dig.
So
quitting and splitting seemed
fitting.
Good
Lord it was real. Frank learned a
great deal.
Dorsey
had been good and Frank
understood.
That
those three short years, matched
several careers.
And
Frank would acquire a drive to
inspire.
Now
simply a solo, long stripped of
his halo.
He
continued his right in the
limelight.
With
the "King of Swing," at
a Paramount fling.
A
billing, so thrilling, it was
chilling.
Let's
picture the scene, they wore
bobby socks and jeans.
Mostly
gals barely into their teens.
Their
eyes full of fire, as only Frank
could inspire
and
their hearts pounding with
desire.
Frank's
intro swells amidst screams and
yells,
and
the ovation could be heard thru
the Nation.
He
crooned. They swooned. He peaked.
They shrieked.
And
some passed out from elation.
But
none threw bras and few owned
cars
And
none passed out from sedation.
His
Paramount gig was too much to
dig.
The
Riobamba bash was simply a smash.
At
the Wedgewood Room, it was quiet
as a tomb.
In
the record game, it was quite the
same.
"You'll
Never Know" was magnifico.
At
the local flick, he was starting
to click.
"Anchors
Away" was one big payday.
"Higher
And Higher" might describe
our young flyer.
Sporting
around town with some ladies in
gowns.
With
some classy chicks, he was
getting his kicks.
Maxwell
and Turner were on the front
burner.
Nancy
was pregnant, and third or fourth
runner.
At
Twenty-One he was there having
fun.
It
was close harmony at the chick
Colony.
At
Toot's and the Stork, he was
popping a cork.
Boy!
What joy! Remember Kilroy!
"Bridge"
Forty-three
was the year. There was little to
cheer.
The
world was at war, in a land afar.
Uncle
Sam needs you, for the Red,
White, and Blue.
So
Frank stood tall, and answered
the call.
A
Marine let me be, in our fight to
be free.
But
the hole in his ear was to
severe.
So
he used his career, to spread
hope and cheer.
Forty-four
the score. Jan. tenth the event.
To
brighten his life, and also his
wife.
For
Nancy begot, another Sinatt.
Francis
Wayne was the name. A natural for
fame.
It
starts to turn sour, for our man
of the hour.
For
nothing would click, not even a
flick.
While
the "Bandit Was
Kissing," the audience was
hissing.
And
the "Clouds Rolled By,"
leaving Frank high and dry.
The
"Bells" did not chime
and bring him a dime.
It
was quite the same for the
"Old Ball Game."
The
Saloon singer - no ring-a-dinger.
"Mule
Train" Laine was causing
Frank pain.
With
his "Wild Goose" call,
Laine was having a ball.
And
his "Jezebel" spell was
simply hell.
Johnny
Ray's "Cry" made Frank
nearly die.
And
Vaughan Monroe was stealing the
show.
Nat
King Cole was a merry old sole.
And
Billy Eckstien was simply divine.
But
an Opera star (Tibett) was going
too far.
Frank's
thirty-four and can't crack a
door.
What
was harder to fend. He had not
one friend.
At
home the scene was less than
serene.
While
deep in depression, he look's for
expression.
And
starts to paint clowns, and
becomes quite renown.
His
world on a string had lost it's
swing.
He
wondered at length and prayed for
the strength.
To
find a way, for one big payday.
To
turn it around and get back on
the town.
His
skin somewhat thin, becomes thick
from within.
This
experience as a whole, would
temper his soul.
And
build his character, for the road
ever after.
'Though
down for nine, Frank would raise
his spine.
And
get off his back and back on the
track.
Amidst
all the woe. One life would glow.
For
Nancy begot, one last Sinatt.
A
little ballerina, by the name of
Tina.
The
Last Eight Bars
While
dancing down town, swinging
Turner around.
Who
should Frank meet, so sassy and
neat.
Miss
Ava Gardner. Howard Hughes was
her partner.
But
not for long, cause Frank
came on strong.
Ava!
Ava! Mama! Mama!
A
red haired goddess who was
slightly modest.
With
feline eyes that hypnotized and
tantalized.
Franks
body and soul, and his world as a
whole. To be continued . . .
"CODA"
Frank's
not gone. His songs will live on.
Brought
from obscurity by "From Here
to Eternity."
His
eternity now found, beautiful
sounds all around
Rest
in peace. Your work's one
masterpiece.
Suffice
it to say Frank did it his way.
One
take Charlie that's Sinatra by
golly.
He
took great pleasure in sharing
his treasure.
He
admired the power, the man of the
hour.
A
musician's musician who respected
musicians.
He
knew the orchestration was half
the elation.
With
the chicks, he was quick, as a
flick of a Bic.
A
super stud who thought press were
crud.
Remember
that jive back in forty five.
To
be continued . . .
The
Chairman of the Board has risen.
The Author will now finish his
life in verse. Come back!
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